Why China’s New Animated Films Are Dismantling the Superhero Myth (And Why You Care More Than You Think)

You know that hollow feeling watching yet another invincible hero save the world? That moment when you realize the character is so flawless they feel like a product, not a person? Chinese animation is quietly doing the opposite — and the results are more powerful than any billion-dollar franchise.

Two upcoming films — Zheng Luoyang and Eight Immortals! — aren’t just entertainment. They’re a deliberate rejection of the Western superhero template. Instead of gods among men, they give us ordinary people faking their way through chaos, then stumbling into genuine heroism. And that’s exactly what a generation hungry for authenticity needs right now.

Let’s start with Zheng Luoyang. Set in the final days of the Eastern Han Dynasty, it doesn’t show you the legendary heroes as legends. It shows them before they became myths — young Cao Cao and Yuan Shao on the same side, powerless against a collapsing system. The city of Luoyang doesn’t fall because of one villain. It’s pulled apart by everyone: eunuchs, generals, scholar-officials, warlords. Every person is both a pawn and a driver of history. You watch these future titans and realize: they were just as lost as we are. The tension is unbearable because you know what’s coming, but the characters don’t. They still believe they can fix it.

Then there’s Eight Immortals!, which is even more subversive. It takes the beloved folk figures and turns them into incompetent con artists. A group of eight desperate souls — a broke noble, a cynical street vendor, a techno-nerd obsessed with music — hatch a plan to rob the celestial treasury. To cover their tracks, they build a fake temple and pretend to be immortals. The locals show up begging for help. These scammers have no magic, no powers. So they solve problems with street smarts and sheer luck. And in faking it, they accidentally become what they pretended to be.

Think about that. The message isn’t ‘believe in yourself and you’ll unlock superpowers.’ It’s ‘when ordinary people choose to help each other, they become extraordinary.’ That’s radically different from the lone hero narrative we’ve been fed for decades.

The emotional hook here is hope, but not the cheap kind. It’s the hope of transformation from the inside out — seeing yourself in characters who start as messes and grow through connection. The filmmakers understood something critical: we don’t want to worship perfect beings. We want to see ourselves in the journey from mundane to meaningful. We want heroes who earn their status through struggle, not birthright.

This is why these films resonate beyond box office numbers. They tap into a deep cultural shift — a longing for collective redemption, for stories where the group matters more than the individual. In an age of fractured communities and lonely scrolling, watching a bunch of flawed people hold a city together or trick their way into sainthood feels like a mirror. You watch them and think: that could be me. That could be us.

The production values don’t hurt. Eight Immortals! renders the mythical Penglai as a bustling ‘fairy city’ full of bureaucracy and charm, mixing classical Chinese painting with modern 3D. Every frame drips with detail — the folds of a robe, the glint of a bronze mirror. But without the soul of the story, it would be empty spectacle. The soul is what makes these films dangerous to the status quo.

Critics might call it simple or derivative. They miss the point. Simplicity is not shallowness; it’s clarity. The lesson is ancient but radical: kindness and solidarity beat power and perfection every time. And in a world that sells us the myth of the exceptional individual, that’s a message worth stealing screenshots for.

So the next time you feel exhausted by another trailer of a caped figure saving a city alone, remember: across the Pacific, some animators are betting on the opposite. They’re betting that you’d rather see a scared young man in Luoyang or a broke con artist in Penglai than another god. I think they’re right.